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Dumas   

Alexandre Dumas (sr.) (1802-1870) - known as Dumas père

One of the most famous French writers of the 19th century. Dumas is best known for the historical novels The Three Musketeers and The Count of Monte Cristo, both written within the space of two years, 1844-45, and which belong to the foundation works of popular culture. He was among the first, along with Honoré de Balzac and Eugène Sue, who fully used the possibilities of roman feuilleton, the serial novel. Dumas is credited with revitalizing the historical novel in France, although his abilities as a writer were under dispute from the beginning. Dumas' works are fast-paced adventure tales. They are not faithful to the historical facts, but blend skilfully history and fiction.

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Alexandre Dumas was born in Villes-Cotterêts, France. His grandfather was a French nobleman, who had settled in Santo Domingo; his paternal grandmother, Marie-Cessette, was an Afro-Caribbean, who had been a black slave in the French colony. Dumas's father was a general in Napoleon's army, who had fallen out of favor. After his death in 1806 the family lived in poverty. Dumas worked as a notary's clerk in Villers-Cotterêtes and went in 1823 to Paris to find work. Due to his elegant handwriting he secured a position with the Duc d'Orléans - later King Louis Philippe. He also found his place in theatre and as a publisher of some obscure magazines. An illegitimate son called Alexandre Dumas fils, whose mother, Marie-Catherine Labay, was a dressmaker, was born in 1824.

Dumas was an omnivorous reader. Especially he was interested in plays. His first produced drama was LA CHASSE ET L'AMOUR, written with with Adolphe de Leuven and P.J. Rosseau. It opened on September 22, 1835 at Théâtre de l'Ambigu-Comique. As a playwright Dumas made his breakthrough with HENRI III ET SA COUR (1829), produced by the Comédie-Française. The romantic drama about power and love was set in the Renessaince court of Henry III and drew on Louis-Pierre Anquetil's Histoire de France and Pierre de L'Estoile's Memoires-journaux. It gained a huge success and Dumas went on to compose additional plays, of which LA TOUR DE NESLE (1832, The Tower of Nesle) is considered the greatest masterpiece of French melodrama. It was written in collaboration with Frédéric Gaullardet. The action centred around the doomed Queen Marguerite de Bourgogne, who had ordered her illegitimate sons to be killed, but who appear into her life twenty years later. He wrote constantly, producing a steady stream of plays, novels, and short stories.

 

Before 1843 Dumas wrote fifteen plays. Historical novels brought Dumas enormous fortune, but he could spent money faster than he made it. He produced some 250 books with his 73 assistants, especially with the history teacher Auguste Maquet, whom he wisely allowed to work quite independently. Dumas earned roughly 200,000 francs yearly and received an annual sum of 63,000 francs for 220,000 lines from the newspapers La Presse and the Constitutionel. Maquet often proposed subjects and wrote first drafts for some of Dumas' most famous serial novels, including LES TROIS MOUSQUETAIRES (1844, The Three Musketeers) and LE COMTE DE MONTE-CRISTO (1844-45, The Count of Monte-Cristo). Dumas himself claimed that he only began writing his books when they were already completed in his head.

Dumas' role in the development of the historical novel owes much to a coincidence. The lifting of press censorship in the 1830s gave rise to a rapid spread of newspapers. Editors began to lure readers by entertaining serial novels. Everybody read them, the aristocracy, and the bourgeoisie, young and old, men and women. Dumas' first true serial novel was LE CAPITAINE PAUL (1838, Captain Paul), a quick rewrite of a play. It was addressed to a female readership and added 5,000 subscribers to the list of Le Siècle when it was serialized. Along with Balzac and other writers, he also contributed to Emile de Girardin's weekly, La Mode, which became the voice of an aristocratic and wordly tout-Paris.

Dumas lived as adventurously as the heroes of his books, and his way of life created a number of anecdotes. When he was asked to contribute 25 francs to bury a bailiff he gave 50 francs and said: "There you are - bury two of them." He took part in the revolution of July 1830 and became a captain in the National Guard, caught cholera during the epidemic of 1832, and travelled in Italy to recuperate. He married his mistress Ida Ferrier, an actress, in 1840, but he soon separated after having spent her entire dowry. With the money earned from his writings, he built a fantastic château de Monte-Cristo on the outskirts of Paris. I

In 1851 Dumas escaped his creditors to Brussels. He spent two years there in exile and then returned to Paris and founded a daily paper called Le Mousquetaire. In 1858 he travelled to Russia and in1860 he went to Italy, where he supported Garibaldi and Italy's struggle for independence (1860-64). He then remained in Naples as a keeper of the museums for four years. After his return to France his debts continued to mount. Called as "the king of Paris", Dumas earned fortunes and spent them right away on friends, art, and mistresses. He was professed to have had dozens of illegitimate children, but he acknowledged only three. According to a story, when Dumas once found his wife in bed with his good friend Roger de Beauvoir, he said: "It's cold night. Move over and make room for me." Dumas died of a stroke on December 5, 1870, at Puys, near Dieppe. It is claimed that his last words were: "I shall never know how it all comes out now," in which he referred to his unfinished book.

 

 
 
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